The B-Movie Isle: Donnie Darko 15th Anniversary Box Set (Arrow Video)
The B-Movie Isle/Adam does a deep dive into the strange and wonderful world of Donnie Darko. Arrow Video has released a massive 4 disc collector’s edition both in the UK and now State Side. Does the Arrow Video deluxe treatment live up to the film itself? Does Donnie Darko hold up fifteen years later? Is the Director’s Cut worth examining? All this and more below…
NOTE: This review is of the theatrical cut.
Donnie Darko tells the story of a young man’s attempts to save the world (possibly). Richard Kelly’s debut feature is still a powerful and challenging bit of science fiction drama. The film is steeped in the prose of Stephen King, the unsure times of the early 2000’s, conservative leanings, middle class malaise and the work of Stephen Hawking. These are not just fly by night visual references or wholesale rip-offs. There is something organic at the core of the story. It isn’t mere cinematic cannon fodder. It’s headier than that. Kelly imbeds those references deep into the broken soul of the film.
They premise is simple; Donnie Darko (Jake Gyllenhaal) may have psychological issues, he sleep walks and sees things. Turns out that those “psychological issues” are not issues at all but powers that he has been given for a specific purpose. The purpose as his Spirit Guide Frank the Bunny tells him is to stop the end of the world. Donnie and his inevitable march to his fate is tracked over the 31 days of October culminating during Halloween night.
The film’s plot may be simple but the film and the layer upon layer that Kelly creates within the film is anything but. As a film Donnie Darko tells not just Donnie’s story but the ones of those around him. Many critics will often times equate films to novels in how they approach a story, most films that term does not seem applicable. Here is seems as though it should apply. Though we follow Donnie and his possible decent into madness, we see the various characters and their arcs. Sparkle Motion the dance troupe that Donnie’s sister Samantha belongs to. Cherita and the constant abuse she suffers from others around her. Younger teacher Mrs. Pomeroy’s difficulties in a very conservative school trying to reach a apathetic students. Jim Cunningham and his rise to evangelical fame through hokey self-help videos. Rose and Eddie, Donnie’s parents, dealing with two of their three very smart but socially combative children. The film never feels pastiche but beautifully organic with its storylines interweaving in the same way that PT Anderson was able to so successfully do so in his brilliant film Magnolia.
The film rests on the shoulders of Jake Gyllenhaal in an early career performance. As Donnie, Gyllenhaal shows the promise of the actor that would make Brokeback Mountain and Zodiac. The unsteady nature of Donnie and how he ebbs and flows from confidence to uncertainty is fascinating to watch. The actor’s performance never titters into “the kid isn’t alright” type of histrionics. Gyllenhaal plays Donnie with the fearless commitment he would later show in Nightcrawler. Donnie knows he’s crazy but finds falling into that particular hole like a warm embrace he cannot stop himself from doing. Donnie wants to believe he is the savior of the world as Frank the Bunny tells him. Gyllenhaal’s performance makes you believe that the young man goes between faith to disbelief in a natural way.
The final act of the film brings everything together in a way that still to this day fifteen years later is jaw dropping great. Kelly aims for the stars and hits every single one of them. The moment of dark grace as Gary Jules’ version of Mad World plays is powerfully heady stuff. There is no denying that this single film and everything contained in it was Richard Kelly’s magnum opus. An instant classic (cult or otherwise, you be the judge) that has slowly but surely risen in esteem to the pantheon of great science fiction dramas.
This transfer is gorgeous. The film has a notoriously dark low contrast look that made the film never come alive in any of its home video presentations. The only time I have ever seen Donnie Darko look this good was when I saw it opening weekend during its initial theatrical run. Since that time the film has looked murky in all home video formats. Murky to a level of annoyance that I have only purchased the original DVD (though have seen all the permutations in the various different formats). Working with Kelly and DP Steven Poster Arrow has commissioned a new 4K restoration. The film (in both theatrical and director’s versions) looks stunning. The contrast levels have been widened to give a better variance in the blacks within the picture. That murky look is a thing of the past; the transfer has a definition that hasn’t been there previously. The grain structure is a little lighter than I like but that is more of a personal preference as the film is razor sharp, something that no other version has been without it being at the expense of the picture. This is truly a definitive edition for a film that’s been so troubling on home video.
The special features include:
- Audio commentary by writer-director Richard Kelly and actor Jake Gyllenhaal on the Theatrical Cut
- Audio commentary by Kelly, producer Sean McKittrick and actors Drew Barrymore, Jena Malone, Beth Grant, Mary McDonnell, Holmes Osborne, Katharine Ross and James Duval on the Theatrical Cut
- Audio commentary by Kelly and filmmaker Kevin Smith on the Director’s Cut
- Deus ex Machina: The Philosophy of Donnie Darko, a brand-new documentary by Ballyhoo Motion Pictures on the making of Donnie Darko, containing interviews with writer-director Richard Kelly, producer Sean McKittrick, director of photography Steven Poster, editor Sam Bauer, composer Michael Edwards, costume designer April Ferry, actor James Duval and critic Rob Galluzzo
- The Goodbye Place, Kelly’s 1996 short film, which anticipates some of the themes and ideas of his feature films
- The Donnie Darko Production Diary, an archival documentary charting the film’s production with optional commentary by cinematographer Steven Poster
- Twenty deleted and alternate scenes with optional commentary by Kelly
- Archive interviews with Kelly, actors Jake Gyllenhaal, Jena Malone, Drew Barrymore, James Duval, Maggie Gyllenhaal, Holmes Osborne, Noah Wyle and Katharine Ross, producers Sean McKittrick, Nancy Juvonen, Hunt Lowry and Casey La Scala, and cinematographer Steven Poster
- Three archive featurettes: They Made Me Do It, They Made Me Do It Tooand #1 Fan: A Darkomentary
- Storyboard comparisons
- B-roll footage
- Cunning Visions infomercials
- Music video: Mad World by Gary Jules
- TV spots
- Exclusive collector’s book containing new writing by Nathan Rabin, Anton Bitel and Jamie Graham, an in-depth interview with Richard Kelly, introduction by Jake Gyllenhaal and contemporary coverage, illustrated with original stills and promotional materials
First and foremost, stay with the theatrical cut. Do not allow yourself to be fooled by Richard Kelly’s Director’s Cut of his masterwork; Donnie Darko. Kelly’s re-cut pulls a Ridley Scott where he takes away a lot of the mystery thus loosing most of its power in its director’s cut format. No additions, remixing of the soundtrack is worth loosing what is lost from the theatrical version. There is a power to what Kelly had done in the theatrical that is defanged. So much of the director’s cut feels like second guessing. It is great to have this newer edition with both options. If it is your first time watching Donnie Darko do not watch the director’s cut until you have had a chance to soak in the theatrical a few times.
The three commentaries are all fascinating. Though I have rallied against the director’s cut the best of the three commentaries is the Kevin Smith and Kelly Commentary. The commentary is lively, intelligent, informative and most of all funny in the best way possible. Smith is able to get Kelly in a very relaxed mood for a very great commentary. The two from the original theatrical cut are very much from the PT Anderson Boogie Nights cast and crew commentary. There is great info in these two but if you are looking for the “technical commentary” or “nuts and bolts of filmmaking” stick with the Smith and Kelly one.
The Crown Jewel of this set is Deus ex Machina: The Philosophy of Donnie Darko the behind the scenes documentary on the making of Donnie Darko. This along with the other documentary The Donnie Darko Production Diary which is more B-Roll footage give a wide ranging look at the making of the film.
The inclusion of Kelly’s short film The Goodbye Place is a fascinating bit allowing a window into Kelly’s mind and the fact that he had been thinking about Donnie Darko for a very long time.
The rest of the special features are an archive of all the content from the various Home Video editions released for Donnie Darko. They’ve included the featurettes from the original 2002 release, the commentaries (already discussed), the deleted scenes, interviews and the music video for Mad World.
The Bottom Shelf
Richard Kelly’s masterpiece Donnie Darko has been given the deluxe treatment that it deserves by Arrow Video. With a beautiful new 4K restoration, new special features combined with every piece of archived material from previous home video releases makes this a package too good to pass up. Darko fans prepare to finally have the Deluxe Edition your favorite film deserves. HIGHLY RECOMMENDED!